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Gli Stagisti - The Internship (2013) Unrated - BDrip 1080p ITA-ENG x264. Unrated - BDrip 1080p ITA-ENG x264 - Download via torrent: Categoria bittorrent: DVD: Descrizione: SCHEDA DEL FILM Titolo originale: The Internship Anno: 2013 Genere: Commedia. Nome: The Internship (2013) BDrip 1080p ITA-ENG x264 - Gli Stagisti -WGZ.mkv Data: Tue.

A far larger budget is one new big swing when it comes to Part 3. Another’s the geography.“It takes courage not to get down on your knees in front of these terrorists,” a braggadocio Roman brays on stage in Madrid. “Those rats,” he adds, “who are still hiding in their holes.” Cut to Tokyo, sipping from a cocktail on a beach on a near deserted island, save for Rio and a meek indigenous family, on the Caribbean Guna Yala archipelago off Panama. 1 settings also take in Argentina’s Pampa, Indonesia’s Java, the Philippines, Florence and Madrid.RelatedLying back in her beach-side hammock, Tokyo, still the show’s narrator, says that she’s spent more than two years “living a romantic movie,”but, as she explains to Rio, “she needs noise, people, not knowing what tomorrow will bring,” to take off from the island on her own.“I can be a formal girl for a long time.

But little by little my naughty girl tank fills and I go Sputnik,” she explains over shots of her drinking and dancing to a street salsa band in Panama City.A feminist action thriller, “La Casa de Papel” Part 3 has The Professor positioning the gang, via its Dali mask, as “the resistance, indignation, skepticism,” towards “the system.” But with six member of the gang now three couples, as in much melodrama, it mobilizes different responses to how, in terms of gender politics, this resistance should be organized. That looks like an ongoing debate which will run through the show. CREDIT: Tamara Arranz RamosFour days before “Part 3” gets its global release on Netflix, on July 19, Variety chatted with creator Alex Pina to put together 10 Takes on Part 3:1. ONE BIG NEW SWING: THE BUDGETThough Netflix has not put a number to it, “La Casa de Papel” Part 3 could be the biggest-budgeted series per episode in the history of Spanish TV. Certainly, it allowed for Part 3 to shoot in multiple locations and also permitted sequences shot from most every angle, and sometimes a variety of formats.“We had a higher ceiling for the imagination. ‘La Casa’ has always been very claustrophobic.

We thought the opening stretches of Part 3 should be different, We’re always looking for an angle which viewers don’t expect. ‘La Casa’ has always had complicated shots.

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This time round they’re even more complicated,” says Pina, noting that Part 4 is currently shooting 45-minute episodes in 21-23 days, compared to the 14 days used to lens Parts 1 and 2’s 70-minute episodes. But they needed that. Shooting in the Bank of Spain, given the security measures, meant a huge effort in planning shots, Pina comments. A FEMINIST ACTIONEREverything happens in Part 3, as a result of Tokyo tiring of living what she describes as a “romantic movie.” Implicitly, she arguing to Rio her right and need to freedom, including sex if she wants it, outside their relationship. “Rio lets Tokyo go with a smile on his lips,” says Pina.

“Given the times we’re in, it’s important to forefront that. We’re always interested in including a lot of issues in the series, even though on the surface it can taken as pure entertainment.”3. BUT WHAT IS PART 3’S PLOTRio is captured by Panama patrol boats. The gang gets together to free him. By dealing a fatal blow to the system.

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What that is would be a spoiler. But you don’t have to have an MBA. To realize the heist this time round goes for the jugular of the capitalist system.4. CHARACTER, CHARACTER“As the world stands, TV series form the most important cultural movement of this century,” says Pina. He goes on: “What’s key is that series offer the possibility of developing characters over far longer narrative arcs.

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You can see characters transform,” he adds. “We always try to give characters multiple sides, which breaks viewers’ preconceptions. Villains can have good qualities, as we’ve seen with Berlin. That makes spectators far more interested in the series because at any moment any characters can change.”5. TIME PLAYParts 1 and 2 played with time, Tokyo at one point narrating a flashback in a flashback. Once more upping the ante, Part 3 does so all the more. 1, for instance, shuttles between at least seven different time periods from 77 days before the new heist to three years, 73 days, 62 days, 50 days, the day of the heist, and five years before.

That will settle down to five main time periods, says Pina. ”We want the series to grow and to be much better in many ways,” says Pina. He adds: “It’s a great challenge for the spectator to put together the puzzle. It allows you to change aesthetics, but also genre. You can be at the climax of the bank heist, then cut to a scene with the same character, exploring their sentiments, or even to comedy. You can move the viewers this way and that, so that the series is never monotonous.”.