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Yamaha DX7Digital programmableDates1983–1989Price$1,995£1,495¥248,000Technical specifications16-voiceBi-timbral 6 sine wave operators per voice, 32 algorithmslinear /(alg. #32)none1 pitch envelope & 6 amplitude generators per voiceAftertouchYes (channel)Velocity expressionYesmemory32 patches in RAM (battery backup); front panel ROM/RAM cartridge portnoneHardwareoperator chipenvelope generatorInput/output61-note with velocityand aftertouch sensitivityLeft-hand controlpitch-bend and modulation wheelsExternal controlin/out/thru, input for foot controller x2, input for foot switch x2, input for optional breath controllerThe Yamaha DX7 is a manufactured by the from 1983 to 1989. It was the first successful and became one of the bestselling synthesizers in history, selling over 200,000 units.In the early 1980s, the synthesizer market was dominated by., a means of generating sounds digitally, was developed by at, California.

FM synthesis created brighter, 'glassier' sounds, and could be used to better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with chips to lower manufacturing costs.With its digital display, complex menus, and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s, used by artists including,. Its piano sound was particularly widely used, especially in. Producer mastered the programming and it was instrumental to his work in.The DX7 was succeeded by FM synthesizers including the,.

In later years their sounds came to be seen as dated or cliched, and interest in FM synthesis declined. Contents.Development was developed in the late 1960s by at, California. FM synthesis uses digital technology to generate sounds, creating different results from. In 1971, to demonstrate its commercial potential, Chowning used FM to emulate acoustic sounds such as organs and brass. Stanford patented the technology and hoped to license it, but was turned down by American companies including. According to Chowning, 'Frankly, I don't think their engineers understood it — they were into analog technology, and had no idea what I was talking about.' At the time, the Japanese company was the world's largest manufacturer of musical instruments but had little market share in the United States.

One of their chief engineers visited the university and, according to Chowning, 'in ten minutes he understood. I guess Yamaha had already been working in the digital domain, so he knew exactly what I was saying.' Yamaha licensed the technology for one year to determine its commercial viability, and in 1973 its organ division began developing a prototype FM. In 1975, Yamaha negotiated exclusive rights for the technology.

Chowning received royalties for all of Yamaha's FM synthesizers. Who developed the frequency modulation technology used in the DX7Yamaha created the first hardware implementation of FM synthesis. The first commercial FM synthesizer was the Yamaha GS1, released in 1980, which was expensive to manufacture due to its. At the same time, Yamaha was developing the means to manufacture chips; these allowed the DX7 to use only two chips, compared to the GS1's 50. Chowning credited the success of the DX7 with the combination of his FM patent with Yamaha's chip technology.

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Yamaha displayed a prototype of the DX7 in 1982, branded the CSDX, in reference to range of analogue Yamaha CS synthesizers.Yamaha also altered the implementation of the FM algorithms in the DX7 to gain efficiency and speed, producing a higher than the at Stanford. According to Chowning, 'The consequence is that the bandwidth of the DX7 gives a really brilliant kind of sound.

I think it's quite noticeable.' Features Compared to the 'warm' and 'fuzzy' sounds of, the DX7 sounds 'harsh', 'glassy' and 'chilly', with a richer, brighter sound. Its preset sounds constitute 'struck' and 'plucked' sounds with complex. It has sixteen-note, meaning sixteen notes can sound simultaneously. Its 32 algorithms, each a different arrangement of its six operators, allow for extensive programming flexibility. The DX7 is -compatible, which means it can be connected to compatible, and computers. Sales The DX7 was the first commercially successful digital synthesizer and remains one of the bestselling synthesizers in history.

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Yamaha manufactured units on a scale American competitors could not match, and sold 200,000 in three years; by comparison, sold 12,000 synthesizers in 11 years, and could not meet demand. According to, founder of the synthesizer company, 'The synthesizer market was tiny in the late seventies. No one was selling 50,000 of these things. It wasn't until the Yamaha DX7 came out that a company shipped 100,000-plus synths.'

Smith said the DX7 sold well as it was reasonably priced, had and 16, and importantly was better at emulating acoustic sounds than its rivals. Impact and legacy At the time of release, the DX7 was the first digital synthesizer most musicians had used. According to, it was very different from the analog synthesizers that had dominated the market; its 'spiky' and 'crystalline' sounds made it 'the perfect antidote to a decade of analogue waveforms'. ', a 1986 single by, uses the DX7 'BASS 1' preset.With complex submenus displayed on an and no knobs and sliders to adjust the sound, the DX7 was difficult to program. MusicRadar described its interface as 'nearly impenetrable architecture consisting of operators, algorithms and unusual envelopes, all accessed through tedious menus and a diminutive display'. Rather than create their own sounds, most users used the presets, which became widely used in 1980s pop music. The 'BASS 1' preset was used on songs such as ' by, ' by, and '.

The 'E PIANO 1' preset became particularly famous, especially for, and was used by artists including, and.A few musicians skilled at programming the DX7 found employment creating sounds for other acts, creating the 'synthesizer programmer' occupation. Learnt to program the DX7 in depth and used it to create on his 1983 album. He shared instructions for recreating his patches in a 1987 issue of magazine. As a producer, Eno used the DX7 on records. Successors According to, throughout the mid-80s, 'Yamaha flooded the market with a plethora of low-cost FM synths.' Its successors included the,. In later years their sounds came to be seen as dated or cliched, and interest in FM synthesis declined, with used digital synthesizers selling for less than analog.

In 2015, Yamaha released an updated FM synthesizer, the Reface DX. See also. (1977)References.